Take Effect

Back Seat

Self-Released, 2019

8/10

Listen to Back Seat

A Colorado songstress who has been busy in recent years, this 5th album from Lisa Bell mixes all sorts of sophisticated genres into her rootsy influenced ways.

The title track starts the listen with warm Americana sounds and subtle jazz nods as Bell’s strong, expressive pipes take center stage, and “I Can’t Stand The Rain” follows with a cautious spirit where bluesy guitars add to the introspective atmosphere.

Further along, “I Don’t Know What You Want From Me” shines with an anthemic quality, while “What Went Wrong” uses strategic organs and deep groves on the soft and agile album highlight.

Near the end, “Get In The Flow” is a bright and sunny acoustic strummer and “Meet Me in The Space Between” finishes the listen sophisticated with light saxophones and mature, memorable melodies.

An album penned in a cabin, there’s plenty of nature incorporated on these rich, genuine and timeless songs, as Bell’s impressive storytelling runs parallel to the strong delivery of these gems.

Travels well with: Jordan Whitmore- Good Things; Karen Jonas- Butter

Want It All

Self-Released, 2019

8/10

Listen to Want It All

The moniker of Australian songstress Sophie Klein, on this sophomore album she’s accompanied by Rosie Burgess on bass and Pam Zaharias holding down drums as Little Wise steps into more pop-rock friendly territory with Want It All.

“Devil Off My Back” wastes no time drawing us in with Klein’s soft and elegant vocals, as the music resonates with warm timeless folk tendencies, and “If It Doesn’t Work Like That” follows with a more rugged approach that flows with cautiousness and a touch of alt-rock.

Elsewhere, “Maybe Coming Back For More” finds the songstress getting fuzzy and soulful with a bit of blues thrown in, while “Marrying Kind” brings the pace down to calm, with soft balladry that’s emotive and introspective.

Near the end, “Johanna” glides with a jangly, upbeat tune of melody and power-pop fun, and “Devil’s Reprise” is a quick track of vocal-less ambience. “Mamma” ends the listen acoustic and memorable, with gorgeous folky song craft that’s delivered with much authenticity.

An artist with a really unique approach, Want It All is never short on hooks, and influences as wide as PJ Harvey and Lou Reed are present, as Little Wise hit a career high on this very playful yet thoughtful listen.

Travels well with: Ryan Adams & The Cardinals- Cold Roses; Emmylou Harris- Wrecking Ball

Endless Bummer

Telegraph Hill, 2019

9/10

Listen to Endless Bummer

An outfit born out of the Asbury Park scene who already made me a fan with 2018’s Born To Run, Lowlight deliver a unique formula where Americana and roots rock collide with New Wave and synth-friendly experimentalism.

“Give It A Minute” starts the disc with a haze of synth, as subtle country nods make their way into the rhythmic opener, and “Horsefoot” follows with a percussively heavy, pop friendly tune that’s hard to classify but easy to enjoy.

Other highlights from Side A include the moody “Burkhalter”, where a lush setting pushes and pulls with warm tension, while “Clotheslines” offers acoustic guitars and inimitable vocals in the adventurous and memorable highlight.

The remainder of the album doesn’t disappoint either, with the shimmering and summery rock of “Coastlines”, and “Locals Only”, a late standout track, glides with gorgeous instrumentation that builds into an ebullient mashing of proficient musicianship. “Voyager” ends the listen with keys, a group vocal effort and marching band percussion that flows with a gospel feel, adding yet another avenue to Lowlight’s inventive prowess.

An extremely enjoyable listen with a self-deprecating title, Endless Bummer is actually a glorious affair, where twang meets synth in delightful ways that impress and reassure that indie-rock still has plenty of creativeness left.

Travels well with: Sharon Van Etten- Remind Me Tomorrow; The War On Drugs- A Deeper Understanding

ISH

Gladitude, 2019

8/10

Listen to ISH

Spearheaded by the Portland artist Kathleen Hollingsworth, the veteran songwriter is aligned with Brent Follis on drums and Dave Captien on bass as Mad Love, and together with a few collaborators they bring their thoughtful rock’n’roll to life on ISH.

“Wave The Sun Goodbye” starts the listen with soothing vocals amid keys, guitars and soft percussion on the soulful, jazzy opener, and “Whisper Not Benny Golson” follows with a bouncy, upbeat tune of playful rhythm.

Elsewhere, “Hey There, Rider” offers tumbling percussion on the country influenced, shuffling fun, while “Passing Of The General” recruits a contemplative and emotive display of power and melody.

At the end, “Weightless” puts the focus on piano as Hollingsworth’s elegant, pretty vocals steal the show, and “Candy Man” finishes the listen with warm, busy jazz and plenty of grooves.

An extremely mature outing, ISH is a feel good record where plenty of sophisticated genres are touched on, as Hollingsworth’s flawless pipes are complemented by strong musicianship.

Travels well with: Yvette Norwood- Tiger- Love Is; Larry Wolf And Four Cats & A Canary- Mood Swings

Light Years

Self-Released, 2019

8/10

Listen to Light Years

A Canadian troubadour and highly literate artist who has been quite busy since 2012, Mark Martyre has released 6 albums as well as publishing his poetry, and this new record continues his strong storytelling ability and gritty folk sounds with a timeless, soothing delivery.

“Wait” starts the listen with Martyre’s gravelly vocals and warm acoustic strumming on a bare but impressive opener, and “College Kids” follows with a fuller sound of elegant and folk inspired songwriting.

Even though there’s just 8 songs present, each one leaves an indelible impression, including the darker “All That Remains”, where aching strings add much to the setting, while the cautious “The Last Song” also recruits strings in the lush album highlight.

Near the end, “Down That Country Road” offers a reflective delivery that’s both raw and sophisticated, and '“Carried Through The Night” ends the listen soft and agile, as Martyre’s pipes get less raspy and are accompanied by female vocals on a cathartic exit.

Though he may be a bit obscure south of his home country at the moment, Mark Martyre knows his way around a carefully penned tune, and every piece of Light Years proves that this is an underappreciated talent.

Travels well with: Tom Waits- Mule Variations; Chuck Ragan- Till Midnight

Visions Of America

Self-Released, 2019

9/10

Listen to Visions Of America

Austin’s Matthew Squires might best be known as your favorite bands favorite obscure songwriter, but with Visions Of America the DIY artist could easily secure him a brush with fame, as his offbeat brand of pop is nothing if not addictive here.

“American Fever Dream” starts the listen with an adventurous indie-folk tune that’s full of quirky pop ideas, too, and “Perfect Eye” follows with a subdued approach and strong storytelling prowess.

Further along, “Strange Day” flows with breezy melodies and ‘80s influences, while “Joke Song” offers a busy setting with keys and a dreamy backdrop of plentiful hooks.

Near the end, “Fire Song” recruits a darker tone with poetic, folk-rock, and the title track exits the listen with subtle fuzz, psyche-rock influences and some experimental touches on his varied formula.

An extremely prolific artist, Squires never does anything ordinary, and while there is certainly familiarity in his delivery, his ‘80s New Wave meets bedroom pop meets outsider folk mashing makes this one of the most adventurous and interesting records of the year.

Travels well with: Built To Spill- Perfect From Now On; Grandaddy- Sumday

delugEON

Islandia, 2019

8/10

Listen to delugEON

An Israel born artist now residing in NYC, Maya Beiser tackles many current environmental issues with her esteemed cello playing on this daring and fluid record that was recorded over 7 days and uses no digital or artificial effects.

“Moonlight Sonata” starts the listen with soothing strings and a setting of elegance and mystery in the Beethoven masterpiece, and “Slow Seasons” follows with 4 different portions to represent each season, and each flows with its own distinct atmosphere.

Deeper cuts bring us the tense mood of “Ah Dolente Partita”, where ambience is key, while “Stabat Mater” pushes and pulls with gorgeous restraint. “When I Am Laid In Earth” ends the listen with incredible cello playing from Beiser as she manipulates sound and tone with a solemn haze of timeless beauty.

Beiser has already played alongside legends like Brian Eno and Philip Glass, as well as being a founding member of Bang On A Can All-Stars, and here she refines classical music into her artistic vision where nature sounds are incorporated into the sublime instrumentation.

Travels well with: Zoe Keating- Into The Trees; Vicky Chow- Tristan Perich: Surface Image

Tall Fiddler

Compass, 2019

9/10

Listen to Tall Fiddler

Michael Cleveland has had an impressive career so far, racking up 11 wins as Fiddler Player Of The Year, a Grammy Nomination, and has even performed for the United States Congress. On Tall Fiddler, his 5th solo album, the virtuoso is in great company as Sam Bush, Bela Fleck, Tim O’Brien and several others are also on hand.

From the opening track “Arkansas”, which puts Cleveland’s fiddle acrobatics on display- a common occurrence on the entire listen- we’re treated to one dynamic tune after another here.

Album highlights include the strategic mandolin and swift pace of “Beauty Of My Dreams”, the vocal harmonies and banjo fun of “Son Of A Ramblin’ Man”, and the soothing dobro of “Mountain Heartache”.

“Tarnation”, a duet with Bela Fleck, is hands down the best tune present, and emits plenty of power in an eclectic setting, though we certainly can’t not mention Cleveland’s cover of John Hiatt’s “Tennessee Plates”, which rocks with a bluegrass and country spirit that even brings in drums.

Cleveland surrounds himself with talent that can keep up with his level of skill, and it pays off with one of the most animated and exceptional bluegrass albums of 2019.

Travels well with: Tommy Emmanuel- The Journey; Old Salt Union- Where The Dog’s Don’t Bite

High Standards

Full Blast, 2019

8/10

Listen to High Standards

The guitar wizard Mike Pachelli is aligned with Tony Levin (bass) and Danny Gottliebl (drums) on this instrumental listen where standards are reworked through the trio’s very skilled vision.

“When You’re Smiling” gets the album off to soothing jazz sounds and blues spirited guitar work, and “There Will Never Be Another You” follows with a stylish and highly melodic swing jazz venture.

Elsewhere, “Sweet Georgia Brown” brings a shuffling pace and dance friendly sounds to the soulful tune, while “Yardbird Blues”, the sole original track, brings in Keb’ Mo’ on guitar for a dynamic and meticulous display of gorgeous interplay between the musicians.

Near the end, “Put On A Happy Face” puts a vibrant jazz feel on a classic, and “Cute” exits the listen with guitar acrobatics amid a playful setting of sophisticated and timeless jazz.

Amazingly, this is Pachelli’s 18th album, and it’s one you can listen to repeatedly with new finds, though the upbeat and positive atmosphere is always present, thankfully.

Travels well with: Joe Pass- Joe’s Blues; Pat Martino- Exit

Missing Chapters

Moodswing, 2019

8/10

Listen to Missing Chapters

A Cameroonian born artist who is now an Atlanta resident, Moken returns with this sophomore album where African sounds are met with Avant Garde and experimentalism that is never in short supply alongside Moken’s atypical creativity.

“Your Sun Is Rising” starts the listen with warm strumming and an elegant atmosphere before Moken’s unusual baritone and warbling vocals sweep in as do bright horns, and “Sometimes” follows with emphasis on percussion and flute in the vocally expressive and cultured tune.

In the middle, “Walking Man” offers a swift setting of brass and busy instrumentation that touches on jazz, while “U Nia” resides comfortably in some variation of folk sounds with vivid storytelling.

Near the end, the upbeat “Retro Africa” certainly does take nods to earlier times with its playful and dance friendly funk sensibilities, and “Tequila Song” recruits breezy melodies in the unpredictable setting. “Sing The Song” ends the listen agile and soothing amid Moken’s inimitable delivery where sax, flute and strings all mesh in intriguing, memorable ways.

An album that saw its completion after Moken was wrongly jailed a short time, there is a visceral amount of energy here- no doubt stemming from his stint being locked up- and, quite honestly, there’s no genre that can hold Moken. This is a visionary truly carving his own path, and we’re all better off for it.

Travels well with: Fela Kuti- Gentleman; Wasis Diop- Toxu

Bingham’s Hole

Self-Released, 2019

10/10

Listen to Bingham’s Head

If you’re like me, you weren’t playing close enough attention to The Mommyheads during their early years (late ‘80 to mid ‘90s). Thankfully, I was in the minority, and the indie-pop darlings went on to influence legions of outfits with a handful of seminal albums that sound just as good today as they did two decades ago.

Here we see their 1995 album, Bingham’s Hole, remixed and remastered for its 25 year anniversary. A pivotal record where the band expanded their horizons into avenues, it would ultimately get them signed to a major label.

“Only Star” starts the album with jangly and pop friendly strumming and creative New Wave nods, and the title track follows with a strong power-pop aspect they made their name on.

In the middle, “Needmore PA” brings a cautious moment of twinkling beauty where their version of prog-rock offers haunting keys and tense guitars, while “Broken And Glazed” delivers some funk amid a groove filled affair. One of the album’s best, “Fragrant Rosa”, then moves with sophisticated textures and mild jazz influences amid their pop sensibilities.

Deeper cuts bring us the angular “Pig In A Blanket”, where subtle alt-rock is present and appreciated, and the ballad “Cora” illustrates the softer, no less interesting angle of The Mommyheads. “Lead Balloon” ends the listen introspective and calm, where reserved skill flows with a timeless delivery.

Often considered their best work to date, Bingham’s Hole unfortunately didn’t reach enough ears in the mid ‘90s, probably cause the world was being fed too much pop-punk via the mainstream’s fascination with Green Day. The Mommyheads, however, were taking cues from XTC and the Raspberries with an eclectic pop spirit that make this reissue absolutely an essential piece to the glorious, albeit underappreciated sounds of the ‘90s.

Travels well with: Pinback- Blue Screen Life; Velocity Girl- Copacetic

Future You

Self-Released, 2019

9/10

Listen to Future You

Released on the same day as the reissue of their seminal mid ‘90s disc Bingham’s Hole, this 10th album from The Mommyheads illustrates deep nods to the legends of the ‘70s, wrapped up in their always unique and fun brand of pop.

“Woke Up A Scientist” starts the album with a blast of powerful rock in a sophisticated delivery that channels their inner Freddie Mercury, and “Mutual Enemy” follows with a guitar driven highlight with plenty of melody with subtle alt-rock tendencies.

Further along, “Compelled” is a more reserved tune with a buzzing setting of playfulness, while “The Hound” recruits prog-rock ideas into the acoustic strumming and charming synth work. “Prisoners”, one of the albums best, shows up later in the disc, and illustrates a unique collaboration between the instruments with exceptional bass playing and backing vocals from Nikki Richards.

Near the end, “What Are You” offers a contemplative and folk spirited anthem with expressive vocals and inspiring wordplay, and the 2nd version of “Eldsjal” exits the listen with a thicker atmosphere as calmer ebbs of keys enter the multifaceted conclusion that finds Edward Forslund handling vocal duties.

Although many will cite the ‘90s as the heyday of The Mommyheads, since reforming in 2008 they’ve been making some exceptional music, as Future You often flows like an extension of Bingham’s Hole, which is largely considered their best record to date. Ultimately, no matter where you look at their catalog, The Mommyheads deliver their always unpredictable and interesting version of pop with grand results, and I feel quite confident saying that Future You resides comfortable alongside their most esteemed work.

Travels well with: Todd Rundgren- Runt; XTC- White Music

Shadowcast

Self-Released, 2019

8/10

Listen to Shadowcast

A Seattle outfit fronted by identical twin sisters Cat Biell and Carrie Biell, both women sing and play guitar while Jude Miqueli handles drums and Darcy Zoller contributes synth and cello on this sophomore album that’s never short on dreamy textures and vocal harmonies.

The title track starts the listen with a mysterious setting of elegance and exploratory sounds, as it builds into a chilling rocker, and “Bold” follows with breathy vocals in a haunting atmosphere that’s both charming and eerie.

Further along, “Characters” offers an ethereal, calm display of subdued beauty, while “Stop When It Hurts” recruits psyche-rock sensibilities into the loud alt-rock landscape.

Near the end, “The Cave” unfolds with a hypnotic haze of gentle sounds, and “Long Road” complements the affair with an artistic slant on sparseness and ambience. “Embers” ends the listen soft and jangly, with hints of pop influence amid the gritty, yet refined delivery.

Although it’s primarily a slow burning affair, Shadowcast moves with plenty of calculated tension, as nods to ‘80s shoegaze and post-punk align with their unique take on today’s indie-rock.

Travels well with: Buck Meek- Buck Meek; Mazzy Star- Among My Swan

Lover

Cooking Vinyl, 2019

8/10

Listen to Lover

A Seattle artist who has been quite prolific since 2008, Noah Gundersen has established himself as a rising name in the area of indie-folk sounds, and Lover finds the troubadour offering his most personal record yet.

“Robin Williams”, a song about mental health, starts the listen with much attention to mood in the emotive and intimate opener, and “Crystal Creek” follows with a beat driven, atmospheric display of soulful beauty.

In the middle, “Lose You” has keys guiding us through the cautious landscape where Gundersen’s vocals soar over beats, while “Out Of Time” recruits pop influences amid falsetto vocals and psyche-rock stabs.

Near the end, “Wild Horses” uses a strategic acoustic guitar for the bare beauty of the poetic singer-songwriter gem, and “So What” complements the setting with hushed yet adventurous sounds. “Kamikaze” ends the listen vocally strong and musically sparse with a dreamy, reflective exit.

Gundersen took 2 years to make this record, and it’s very apparent in the meticulous nature of each track. Although the subject matter is often very weighty, it’s never esoteric, and delivered with a cathartic quality that you can’t help but admire.

Travels well with: Penny And Sparrow- Finch; Ben Howard- Noonday Dream

Still Gushing

Self-Released, 2019

8/10

Listen to Still Gushing

An Athens, Georgia outfit with a penchant for thoughtful, adventurous song craft, first and foremost the band exist to bring awareness to the opioid epidemic.

“Smart Heart” starts the album with pretty vocals from Rachel Adams in a musically sparse setting of tambourines and soft drums, and “Blown Away” follows with a soft mood that’s both melodic and mysterious in its charming ambience.

In the middle, “This House” offers calm strumming with a vocally smooth and musically dynamic display of intricate indie-rock, while “All Those Angels” trims the pace back with soaring pipes and a psyche influence that adds another dimension to the listen.

Near the end, “Scripted” recruits playful instrumentation and a more forceful rhythm section in the lush album highlight, and "Give In To The Flesh” unfolds from a slow burner into a charming indie-folk tune with strings. The title track ends the affair with dual gender vocals, folksy guitars and an elegant pop influence, again illustrating just how skilled this ensemble is.

A record that was penned by the driving force of the band, Richie Williams, his brother Dave also helped with songwriting duties that took place during the midst of Dave’s addiction that he survived, but not without permanent damage.

Yet another fine example of tragedy turned into great art, Nocturnal Blonde’s debut album is a hard one to pin down, bringing pieces of indie-rock, classic rock and folk sensibilities into its eclectic and meticulously delivered formula that carries on the grand tradition of superb music from Athens.

Travels well with: New Madrid- magentickingmagneticqueen; Dead Confederate- Sugar

Like Candy

Self-Released, 2019

8/10

Listen to Like Candy

A band not a person, Nooky Jones, the rising outfit from the always fertile Minneapolis scene, return with more of their soul, jazz and hip-hip influenced sounds on this charming EP.

“Gimme Some More” starts the quick listen with bright horns and plenty of funky grooves in the fun opener, and “Pardon Me” follows with a calm spirit and smooth singing alongside R&B influences.

Further in the EP the title track recruits keys and finger snappin’ as frontman Cameron Kinghorn hits some high notes, while “Everything You Do” finds a seductive atmosphere of warm instrumentation. “After Two”, with Cory Wong, finishes out the party with a festive, brass friendly exit that further punctuates the strong chemistry between the 6 members.

The band celebrated this EP with the first live ticketed event at Paisley Park since Prince’s passing in 2016, and it only seems fitting that an ensemble that parallels the versatility, creativity and timelessness of all the sounds that originated at Prince’s headquarters mark the return of live music.

Travels well with: Fitz & The Tantrums- More Than Just A Dream; Cody ChesnuTT- Landing On A Hundred

Replanting The Family Tree

Self-Released, 2019

8/10

Listen to Replanting The Family Tree

The Danish artist Oh Land returns with 5 Arthur Moon remixes, as her electronic-pop formula finds an even more creative place to reside with Moon’s contributions.

“Salt” starts the listen with an ambient feel as vocal manipulation exists alongside keys, and “Open” follows with a similar dance inspired approach with a constant tweaking of sounds and textures.

In the middle, the best track, “Human Error”, is less busy and allows the strong vocals to soar, while “After The Storm” recruits a lush and beat friendly setting of exploration. The dreamy, almost cinematic “When A Hawk Comes By” ends the quick listen.

Oh Land’s Family Tree album was a pivotal release for the songstress, and these reworkings of tunes from that album with Moon make these versions even more enthralling, lively and embraceable.

Travels well with: Kasper Bjorke- Fool; Mates Of State- Mountaintops

Where The Dogs Don’t Bite

Compass, 2019

8/10

Listen to Where The Dogs Don’t Bite

A band who have defied classification since their inception in 2012, the Belleville, Illinois outfit Old Salt Union return with another batch of their jazz, jam, folk and roots influenced ‘modern-grass’ formula.

“God You Don’t Need” starts the listen with warm acoustic instrumentation and elegant strings that quickly pick up the pace with soaring vocals in a thriving bluegrass setting, and “Tell Me So” follows with swift sounds in a rural jam of timeless beauty and melody.

Elsewhere, “Ebb & Flow” recruits a country spirit with sublime vocal melodies, while “Big Dreams, Small Talk” brings incredible finger acrobatics to the moving, meticulous highlight.

Near the end, “Promised Land” offers a cautious display of dynamic talent and strong vocal work, and “Holdin’ On” ends with banjo fun on an emotive exit with sweeping grace.

A band that embrace traditional bluegrass concepts but who are also very innovative with their craft, Old Salt Union have released an album just about every year that they’ve existed, and they’re only getting better with each subsequent recording. Where The Dogs Don’t Bite is their best yet, and an ideal listen for all fans of Americana, folk and bluegrass.

Travels well with: Greensky Bluegrass- Shouted, Written Down & Quoted; Shook Twins- Some Good Lives

Reve Bleu

YHS, 2019

9/10

Listen to Reve Bleu

A Canadian-Brazil duo who bring us some of the best aspects of alt-rock from the past 4 decades, Palm Haze possess the capacity for heavy yet gentle landscapes, as well as busy yet minimal instrumentation, as they never follow any predictable patterns on this extremely well done album.

“Winds” starts the listen with an immediately gripping dream like haze of calm melodica, before fuller sounds of fuzzy alt-rock enter the equation, and “Drop In” follows with a charged setting of propulsive ‘90s nods with gentle vocals and hypnotic guitar work.

A listen where each tune is your favorite, “Second Round” starts soft and agile before sonically loud walls of power and melody invade the post-punkish affair, while the title track offers a percussive heavy, languid venture into gentle textures. The record ends strong with the 7+ minutes of “Almost Soon”, where a shoegaze spirit runs through the mesmerizing, buzzing setting that’s also part trip-hop and psyche-rock.

If there’s a better band out there playing this noisey yet beautiful style of dream-punk, I certainly haven’t heard them. Put Palm Haze on your short list of bands to seek out now; you’ll thank me later.

Travels well with: Alvvays- Alvvays; My Bloody Valentine- Loveless

Volume Quattro

Escape From Today/Dunque

8/10

Listen to Volume Quattro

A Turin based guitarist and composer, Paolo Spaccamonti’s 4th solo album again proves why he’s one of the most revered artists in Italian’s thriving avant-garde scene.

After the mysterious and meticulous sounds of the opener “Cuocere verdure e fare il brodo con le ossa”, “Ablazioni” follows with an experimental edge to its post-punk and ominous tone where hip-hop beats are in attendance and used stragetically.

Moving along, “Nessun codardo tranne voi” recruits some spacey like dirge with plenty of moments of thick exploration, while track “Un gelido inverno” trims the pace back to a cinematic, almost New Age-ish soothing quality.

Near the end, the fuzzy “Fumo negli occhi” seems like it could soundtrack a space launch in another dimension, and “Luce”, the longest track at over 7 minutes, pushes and pulls with warm tension and gorgeous texturing. “Diagonal” ends the listen dramatic and droning, effectively putting the exclamation point on this highly unique record.

Amazingly, all sounds on this album were made with a guitar (other than the beats), as Spaccamonti manipulates his instrument in ways that no one else could even come close to.

Travels well with: Stefano Pilia- Dust & Mirrors; Julia Kent- Green And Grey

Chamber Works

Navona, 2019

8/10

Listen to Chamber Works

A record where multiple composers are on hand, Patterns turn minimalism into a highly refined art form across the appropriately titled Chamber Works.

“Asymmetry” starts the listen with dual guitars on a fast paced picking and strumming opener, and “Disintegration” follows with a lone guitar on a meticulous track with a unique melody.

Further along, “Two Lords” is divided into 3 parts, each with world class guitar playing from Santiago Kodela, while “Road Traversed And Reversed” relies heavily on a marimba in the playful setting.

Deeper cuts offer us the two part “Suite For Sarro”, where violin, viola and cello all bring sophisticated interplay, and the three part “Bassoon Quartet” ends the listen with 4 bassoons showing us much versatility in the woodwinds.

A listen that relies heavily on classical ideas, Patterns prove to us that the sounds of chamber music have few boundaries, or at least in their calculated, fascinating vision.

Travels well with: Grupo Encuentros- Tangos & Something More ; Eliane Rodrigues- The Gershwin & Bernstein Connection

Bounce

VizzTone, 2019

8/10

Listen to Bounce

A blue rock super trio from Montreal, Paul DesLauriers is joined by Sam Harrisson on drums and Alec McElcheran on bass for the 13 tracks- 12 originals plus a cover of Peter Green’s “Jumpin’ At Shadows- on this follow up to their esteemed 2016 album, Relentless

After the brief ambient opener “Here We Go”, “It’s All On You” dives headfirst into strong blues riffage and firm vocals from DesLauriers on the rhythmic and memorable tune.

Further along, “Happy Wasting Time With You” offers a soulful bar rocker with a punchy feel, while “Driving Me Insane” displays guitar acrobatics in the groove friendly atmosphere. The album highlight, “Picked A Bad Day”, with JP Soars, finds a nice place to reside between melodic and gritty with a chorus you won’t soon forget.

Towards the end, “Feeling All Kinds Of Good” recruits a rockabilly spirit in the danceable rocker, and “Waiting On You” ends the listen with warm guitars and organs on the powerful and emotive exit.

A must if you’re a fan of intricate guitar sounds and, of course, sturdy blues rock, DesLauriers and company deliver the sort of quality music we’re used to from the VizzTone label on this impressive outing.

Travels well with: Ben Levin- Before Me; Terry Hanck- I Still Get Excited

Ultra Deluxe

Self-Released, 2019

8/10

Listen to Ultra Deluxe

This debut album from the New Orleans, multifaceted pop outfit Pet Fangs certainly doesn’t seem like their first trip to the plate as each track present on Ultra Deluxe could be a hit single.

After the brief and spacey “Introduction”, “Barberella” brings us into glorious indie-pop fun that’s addictive and ultra stylish with plenty of crunch.

Further on, “Afterglow” brings a darker spirit with falsetto vocals in a tune that seems tailor made for a late night at the club, while “Problemz” recruits synthetic drumming on an electro-pop tune with strong soul influences.

Deeper cuts like “Hermanos Y Hermanas” illustrate just how exploratory the band can get with manipulated vocals and an almost sci-fi setting, and “Candy, Baby” finds a nice place to reside between melodic dance-pop and sleek indie-rock. The album ends on “She’s Alright”, where a contemplative atmosphere suits the cautious, dreamy and psyche-influenced landscape.

There’s much talent present here, and it’s very apparent that a whole lot of work went into each track on this addictive, dizzying and highly memorable affair. Remember the name Pet Fangs- you’ll be hearing a lot more about them, most likely everywhere.

Travels well with: Generationals- Alix; Baby Bee- The Shaker

Freeway

Righteous Babe, 2019

9/10

Listen to Freeway

Pieta Brown returns with an 8th album of her poetic and eloquent folk tunes, and this time she recorded them live in just 3 days with players from Bon Iver and Andrew Bird to help flesh out the glorious affair.

“Ask For More” leads the album with pretty vocals and melodic acoustic strumming from Brown, where subtle jazz influences seep in, and “Morning Fire” follows with a percussively strong and rhythmic setting of detailed, playful musicianship.

Near the middle, “Bring Me” offers a bare and slightly mysterious backdrop alongside reverb friendly guitars, while “The Hard Way”, with Mark Knopfler, delivers a full setting of bluesy, rootsy rockin’ fun anchored by Knopfler’s superb skill.

Deeper cuts bring us the indeed sunny and vocally expressive “Beyond The Sun”, and “Before We Break” trims the pace back with beautiful, bluesy introspection. “Shelter Now” ends the listen with calm keys and a playful setting of breezy melodies and hushed vocals.

Though her name doesn’t carry quite the prestige of, say, Ani DiFranco or Brandi Carlile, a Pieta Brown record carries all the hallmarks of timeless, memorable song craft, where folk, country, blues, and Americana are meshed with splendid results that can parallel the greatness achieved by the aforementioned luminaries.

Travels well with: Sara Watkins- Young In All The Wrong Ways; Patty Griffin- American Kid

Wasted Energy

Hassle, 2019

10/10

Listen to Wasted Energy

An outfit from Australia with a penchant for punk, garage, indie and alt-rock sounds, this sophomore album finds the quartet showcasing an incredible chemistry with a mature, intelligent and energetic presence where not a second is wasted.

“Separate Houses” gets off to a kinetic start with buzzing melodic punk alongside raw but sweet female vocals on the anthemic opener, and “Dead Or Dying” follows with a punchy and swift pace of angular, calculated instrumentation.

Near the middle, “Obession” puts the dynamic skill of the rhythm section on display with post-punk influences, while “Get Better” offers a scrappy, punky tune with plenty of attitude and memorableness.

Deeper cuts bring us the rowdy and tuneful “How Can It Not Be Love?”, and the record highlight, “I’m In Hell”, which finds the perfect balance between bristling punk rock and modern indie-rock with bouncy bass lines. “Twenty Three” ends the record on a strong exit with cautious moments in their head bobbin’, fist pumpin’ formula.

As someone who has spent decades listening to records across the entire spectrum of punk, let me say this: Press Club are better than 80% of the bands under the punk umbrella, and Wasted Energy is one of the best of 2019.

Travels well with: Save Ends- Warm Hearts, Cold Hands; Smoke Or Fire- This Sinking Ship

Cancel The Sun

Thirty Tigers, 2019

9/10

Listen to Cancel The Sun

Comprised of the duo of Kami Thompson and James Walbourne, The Rails are back with a 3rd album that’s a more rugged and muscular version of their tuneful, glorious songwriting.

“Call Me When It All Goes Wrong” starts the album with warm, harmonic indie-rock and dual gender vocals that take nods to ‘90s guitar work, and “Mossy Well” follows with a calmer, rich atmosphere of heartfelt Americana and folk ideas.

Elsewhere, “Dictator” offers calm balladry with minimal instrumentation that tips it hat to the ‘60s, while “Ball And Chain” strums with a rock’n’roll spirit that points towards Walbourne’s time in Son Volt. The album highlight resides here, as “Waiting On Something” firmly illustrates the chemistry present in the married couple with a rich, eclectic formula.

At the end, “Leave Here Alone” displays timeless, sparse beauty, and the title track concludes the listen with a powerful yet bare appeal in the acoustic waltz.

With a sound that is very much rooted in their Brit-pop heritage, The Rails also keep the folk-rock influence of their earlier years intact, making for a diverse, charming and extremely memorable listen. While no one would want Walbourne to quit his day job playing for The Pretenders, if it means more music from The Rails, I doubt anyone would complain.

Travels well with: Radiohead- The Bends; The Cranberries- No Need To Argue

Red Crow

Berkalin, 2019

9/10

Listen to Red Crow

A songwriter with a penchant for storytelling and poetic wordplay, Randy Lewis Brown was born and bred in the south, and his work follows suit with authentic Americana on Red Crow.

“One Horse Town” gets the listen started with warm strumming and breezy melodies as Brown’s wise and soothing vocals guide us through the spirited Americana, and “Trouble With Me” follows with an introspective setting as strings complement the mood with grace.

Near the middle, “She’s The Only Woman” offers a shuffling pace of honky tonk fun and a bouncy bass line, while “Trust The Sun” takes a turn into rootsy balladry that’s as timeless as it beautiful.

Deeper cuts include the vocally strong and rugged “Other Campfires”, and “Barlow Road” embraces folk ideas with great results. “Goodnight Good Luck” ends the album with cautious contemplation, as Brown exits the listen as skilled as he started it.

A listen with strong, vivid imagery and incredible musicianship, Randy Lewis Brown has been at it for 5 decades now, and it certainly shows in his stirring, calculated and instantly memorable song craft.

Travels well with: Terry Klein- Tex; Chad Richard- Worthy Cause

Vanduro

Self-Released, 2019

10/10

Listen to Vanduro

A duo from Buffalo, New York who live in their homemade RV and crisscross America playing shows along the way, Greg Zeis and Jess Chizuk tell us stories of life on road, both the highs and lows, on this charming, wise 2nd album.

“Black And Blue” starts the listen with easy going acoustic strumming and expressive vocals that resonate like timeless folk music, and “You Can Bet On Me” follows with a more rugged approach to their back to basics prowess as Jess Chizuk’s pretty vocals soar amid a crunchy back drop.

A record where every tune is a stand out, “All These Things” recruits a country spirit in its fluid and swift delivery, while “Dying Day” flows with a warm Americana spirit that will bring you back to the best days of Whiskeytown. "Nothing But The Weather” one of the best of the best, glides with a campfire-esque feeling where organs relly add to the atmosphere that details the downside of the pair’s nomadic life.

Near the end, “The Lucky Ones” plug in the guitar for a more forceful version of their cautions approach, and “Not Coming Home” ends the listen on a vocally harmonic and strong exit of rural beauty.

Though there’s no shortage of outfits playing this kind of alt-country meet Americana, The Rightly So do it much better than most of their peers, and this sophomore LP is certainly a contender for record of the year.

Travels well with: Blind Pilot- 3 Rounds And A Sound; The Lumineers- The Lumineers

Beyond The Blue Door

Stony Plain, 2019

8/10

Listen to Beyond The Blue Door

Ronnie Earl is no slouch when it comes to playing the guitar, and here he’s backed up by his esteemed band The Broadcasters with appearances by Kim Wilson, David Bromberg and Greg Piccolo.

“Brand New Me” starts the listen with warm keys and guitars alongside soulful, Motown influenced vocals, and “Baby How Long” follows with a bluesy spirit and plenty of playful rhythm where Wilson handles harmonica and vocals.

In the middle, “The Sweetest Man” offers plenty of sophisticated melody amid fluid piano, while “It Takes A Lot To Laugh, It Takes A Train To Cry” recruits an atmospheric setting as it reinterprets the Bob Dylan song with plenty of detailed musicianship and smokey, gritty vocals from Bromberg.

Near the end, “Wolf Song” illustrates incredibly skilled guitar work, and “Bringing Light (To A Dark Time)” moves at a quick pace with grooves, rhythm and timeless melody. “Blues For Charlottesville” ends the listen with grace, restraint and sublime instrumentation in the moving, topical exit.

Earl and company offer 15 tunes here, and it gives them plenty of time to display their unparalleled, respective skills. Now 20+ albums into their career, Beyond The Blue Door proves they’re in no danger of running out of ideas and that their delivery isn’t waning one bit.

Travels well with: Roomful Of Blues- Dressed Up To Get Messed Up; Bob Margolin- Bob Margolin

A Life Like Ours

Buddhaland, 2019

9/10

Listen to A Life Like Ours

If you’ve spent any considerable time watching TV, you’ve probably already heard Shane Alexander’s music on one of the many shows he’s help soundtrack. On this 7th studio release, Alexander offers bare pieces as well as full, lush rockers, and it all comes from a very spiritual place, as the troubadour finds plenty of intimacy across A Life Like Ours.

“Everything As One” gets the album off to a soft and sparse start, as Alexander’s expressive vocals guide us through a gentle folk tune, and the suicide themed “Lost Road” follows with a fuller delivery where calm percussion and keys flow alongside his graceful delivery.

An album where every track is a highlight, “Taxi Cab” moves with a cautious pop spirit amid the Americana influences, while “I’ll Be Here”, a tune about anti-gun violence, displays his strong guitar playing amid hushed beauty with an orchestral slant.

Deeper in the listen, “Riverbed” shuffles with a rural beat in a playful yet subdued gem, and “Evermore” ends the listen crisp and bright with Alexander’s charming formula radiating emotion, positivity and strong song craft.

Alexander is in fine company here as players who worked alongside Lady Gaga, Shooter Jennings, and Grateful Shred are in attendance, and they help illuminate his gripping storytelling perfectly.

Travels well with: Jeff Buckley- Grace; Bruce Springsteen- Nebraska

Symmetricity

Armored, 2019

8/10

Listen to Symmetricity

A man who wears many hats, Shawn Purcell is a musician, educator, composer, and arranger who has shared the stage with some of the best of the best in jazz and has also performed on 30 recordings. With Symmetricity, Purcell’s first time as band leader, he offers us 9 originals and 1 cover with some heavy hitters helping him flesh out the affair.

“Swirl” starts the listen with strong guitar before a busy setting sits in as all instruments collide with precision in a post-bop fashion, and “Steady Comin’ At Ya” follows with a calmer atmosphere of soothing, agile jazz sounds and creative blues influences.

Further along, “A Bela (For Darden)” uses subtle but strategic keys on warm, expressive highlight where wordless vocals from Darden Purcell are used for effect, while “You, And You Alone” recruits playful percussion in the adventurous yet cautious gem.

Late in the listen the standard “Here’s That Rainy Day” is a slow burning affair, tinted with melancholy but still so beautiful, and “Norm’s View” ends the listen with soaring singing and vibrant percussion that builds into a dizzying display of deft skill.

Purcell makes his first trip at the helm a valiant effort with varied instrumentation, impressive textures and a fresh take on modern guitar jazz sounds that unfolds with much creativity and lasting power.

Travels well with: John Scofield- Country For Old Men; Peter Bernstein- Earth Tones

Blessed Assurance

Self-Released, 2019

8/10

Listen to Blessed Assurance

This 5th album from the composer, arranger and pianist Sheldon Pickering has the artist reworking 8 classic hymns while holding down keys, as guitars, violin, strings and percussion are handled by Ryan Tilby and Aaron Ashton.

The title track opens the listen with sublime keys from Pickering as gentle guitars and strings complement the affair, and “Swing Low” follows with much jazz influence in the highly rhythmic affair.

Further along, “Be Though My Vision” adds plenty of soul and emotion to the dynamic album highlight, while “I Need Thee Every Hour” finds the listen entering gospel territory with much thoughtful beauty.

Near the end, “Poor Wayfaring Stranger” soars with breezy melody and a tint of a haunting quality, and “Take Time To Be Holy” exits with a calming, meditative quality that could sooth anyone’s anxieties.

While there certainly are jazz and classical influences to be found here, there’s also New Age nods, as Pickering and company deliver an engaging and fascinating instrumental record.

Travels well with: Bill Evans- Undercurrent; Eliane Rodrigues- The Gershwin & Bernstein Connection

Fake Jazz & Theme Songs

Ludlow St., 2019

8/10

Listen to Fake Jazz & Theme Songs

Though Slim Gambill’s name may not immediately ring a bell, we’ve all heard his work as the longtime guitarist of the global superstar Lady Antebellum. On this first solo album, Gambill’s acts, in his words, like a tourist of jazz sounds, and he’s in some very strong company for the debut.

“Last Time Thing” starts the listen with a lively jazz sound where many instruments mesh into a precise, melodic, groove filled setting, and “Levitations” follows with a brisk pace of warm shuffling and swing jazz fun.

Elsewhere, “Silly time” offers some serious guitar playing and gorgeous interplay between the rhythm section, while “Cop Show”, with Jeff Coffin (Dave Matthews Band), recruits bright saxophone for the laid back, spirited affair.

Deep in the listen, “Also Shuffle”, which brings in Kenneth Crouch (Mariah Carey), flows with a dynamic, festive tone, and “4 Guitars Having A Conversation” ends the listen with sublime musicianship that few, if anyone, could replicate.

If you’re scratching your head about why a country star like Gambill would release a mostly instrumental jazz album, well, it’s really just Gambill returning to his roots. And while he hasn’t dedicated his life to jazz like many of his peers, he does a fantastic job as a visitor to the genre, and would sound right at home on the Blue Note record label.

Travels well with: Augie Haas- Dream A Little Dream; Mike Pachelli- High Standards

Shell Of A Girl

Hen House, 2019

9/10

Listen to Shell Of A Girl

Though it wasn’t too long ago that Sunny War was a homeless punk, these days the songstress is seeing worldwide acclaim, sponsorship endorsements and stability, thanks to her thriving career as an articulate, topical and moving songwriter who hits a career high with her sophomore album, Shell Of A Girl.

“Shell” starts the listen elegant and warm with a bluesy, cultured tune where War’s expressive vocals shine, and “Where The Lost Get Found” follows with a touching acoustic guitar fueled folk song where harmonica adds much to the atmosphere.

In the middle, “Love Became Pain” shuffles with a playful pace to the frisky picking and emotive delivery, while “Off The Cliff” flows with pretty instrumentation in a display of cautious songwriting that touches on Latin influences. The album highlight, “Soul Tramp”, is indeed soulful, and brings to mind the delicate atmosphere that Elliott Smith could create.

Deep in the listen, “Got No Ride” unfolds with a confessional spirit as soft percussion and harmonica punctuate the mood, and “XO” finishes the listen with soft keys on a sparse yet powerful exit of hushed beauty.

Now in her late 20’s, War is still very much evolving as a musician and human, and this effort touches on many of the darker sides of the status quo with a lyrically upfront delivery that musically borrows from folk, blues, country and rock, yet with a biting edge leftover from her punk years.

A truly exceptional artist, Sunny War has the potential to become one of the most important songwriters of this generation, or at least this record is a step in that general direction.

Travels well with: Birds Of Chicago- Love In Wartime; Ida Mae- Chasing Lights

Cold-Hearted Truth

Self-Released, 2019

8/10

Listen to Cold-Hearted Truth

A Nashville duo who certainly sound like they reside in The Country Music Capital of the World, Swearingen & Kelli return with a 3rd album of their harmonic Americana, and this time it comes with an influence of ‘70s singer-songwriters.

“Don’t Judge This Broken Heart” gets the album off to a country fueled start with pretty vocal harmonies- a common occurrence throughout- and deeper tracks like the aching pedal steel of “Cold-Hearted Truth”, and honky tonk fun of “Hot Southern Nights” follow a similar, memorable path.

Further on, warm balladry invades “Take A Chance On Me”, while the playful spirit of “Cryin’ Shame makes this one of the album’s best. “West Virginia” ends the listen with a slow burning, emotive display of rural beauty, as the pair illustrate their strength on lush affairs, too.

A record that’s full of nostalgic sounds as well as modern melodies, Swearingen & Kelli once again prove that their inimitable chemistry puts them at the top of today’s folk, country, Americana, and roots scene.

Travels well with: The Civil Wars- Barton Hollow; Lady Antebellum- Own The Night

Unwound

Blight, 2019

9/10

Listen to Unwound

Spearheaded by Matt Dowling (the EFFECTS, Paperhaus, Deleted Scenes), it turns out Unwound is Dowling’s favorite band, and the Olympia post-punk legends inspired this sophomore Swoll album.

“L4F” starts the listen with glowing synth before playful vocals enter the eccentric pop setting, and “Setting Sun” follows with a firm beat amid an adventurous and post-punk influenced delivery.

Elsewhere, the title track bares little resemblance to the Olympia heroes and instead flows with a soulful, electro-pop spirit, while “Shudder To Think” has a few similarities to the DC legends, and offers a buzzing template of experimental ideas that draws more parallels to Girls Against Boys.

At the end, “Where You Go” comes with some of the best falsetto vocal work present in the dreamy package, and “Haydee’s” exits the listen with a blistering pace of punchy, charged, ‘80s nods and New Wave friendly genius.

Though synth and beats are handled by Benjamin Schurr, everything else is Dowling, and while on the surface this bares little kinship to Unwound’s music, Swoll embraces the artistic side of rock in like-minded ways that help make Unwound an exceptional record.

Travels well with: Luna Honey- Peace Lives; New Order- Movement

Hey, I’m Just Like You

Sire, 2019

9/10

Listen to Hey, I’m Just Like You

The sibling sensations return with a 9th studio album that brings tunes they penned between the ages of 15-17 to life and reinvents them with their professional musician status and well versed studio skills.

“Hold My Breath Until I Die” starts the listen and isn’t as dramatic as the title implies, as the firm beat, guitar strumming and indie-pop template draw us in quick, and "Hey, I’m Just Like You” follows with soaring melodies and a playful spirit that they’ve built their careers on.

In the middle, “Hello I’m Right Here” offers piano balladry with pretty vocals, while “I Don’t Owe You Anything” builds into full electro-pop, though it’s an anomaly on this collection as much of the record goes back to their guitar focused approach and early punk roots.

Near the end, “We Don’t Have Fun When We’re Together Anymore” moves with a driving pace and strong musicianship that made the duo a household name, and “You Go Away And I Don’t Mind” recruits a modern emo influence into the vibrant pop appeal that’s tailor made for the club. “All I Have To Give The World Is Me” ends the listen with gorgeous, lush sounds that prove that these women were already writing great songs at the onset of high school.

As you can tell by the song titles, there’s certainly an adolescent spirit here, but their present day world class skill dresses the tunes up nicely, and, as always, doesn’t sit comfortably in just one genre.

If you’ve been following all along, you’ll be pleasantly surprised with this batch, and if you’re just checking to see what all the fuss is about, well, these are absolutely musicians who warrant all the attention.

Travels well with: Rilo Kiley-More Adventurous; Tancred- Nightstand

Project 5.4: Who Is Ann?

Self-Released, 2019

8/10

Listen to Project 5.4: Who Is Ann?

Terri Hendrix has had a busy year, with several releases that, although stylistically different, all share the common thread of her atypical and high creative song craft.

This installment, the Who Is Ann EP, sits closest to electronica, where loops, samples and talking are all part of the artistic and adventurous template.

“Drive” starts the listen vocally strong with warm harmonies as the music resides close to Americana with timeless folk storytelling as Hendrix injects spoken word, and “Happy” then steers right into electronica and poetry from Hendrix in the feel good tune that isn’t short on grooves.

The last 3 tunes are just as interesting, and include the playful percussion and sweet strumming of “Move”, which will certainly get your body moving, as well as the culturally strong and beat driven “Woman”, where hushed vocals run alongside the frisky tempo. “Grieve” ends the EP with emotive singing and soft, agile musicianship in the orchestral and piano heavy exit.

Although it may seem odd to use pedal steel and mandolin alongside ‘80s indebted keys, Hendrix and company do a fine job here while addressing weighty issues, both personal and political. An extremely prolific songwriter as of lately, Hendrix continues to produce all substance and no flash with her timeless, relevant art.

Travels well with: Lori McKenna- The Tree; Mary Gauthier- The Foundling

Talk To A Human

Self-Released, 2019

8/10

Listen to Talk To A Human

Generally, when an artist releases much music in a short period, the quality of the work varies greatly. However, when Terri Hendrix does it, there is little variance- it’s all top notch.

On Talk To A Human, the songstress hovers around folk, Americana and roots, and addresses the trouble communication has become in our all to dependency on technology.

The title track starts the listen with warm Americana and folk melodies, as Hendrix’s mix of talking and singing gives the tune a unique angle, and “Mi Madre” follows with horns that inject some Latin flavor into the playful tune.

Elsewhere, “Don’t Meddle In My Mood” offers plucky bass and an old time feel in the soul venture, while “Worthy” recruits country spirit into the charming storytelling.

Near the end, “The Dark”, a Guy Clark cover, flows with a poetic delivery of the classic, and “I Hear Your Song” ends the listen with breezy melodies and a timelessness that will be relevant for decades to come.

Hendrix is in fine company here, as her band contributes fiddles, pedal steel, banjo and other graceful noisemakers, and the songs unfold with a universal appeal that resonates with a comfortable familiarity and insightful thoughtfulness.

Travels well with: Billy Bragg- Workers Playtime; Cindy Walker- Words & Music

Die Happy

LoHi, 2019

8/10

Listen to Die Happy

A Wisconsin quartet with a penchant for bluegrass, folk and Americana sounds, Them Coulee Boys return with their best work yet on this incredible sounding 3rd album that was recorded at the legendary Pachyderm studios.

After the gentle acoustic sounds of the thoughtful, reflective “Pray You Don’t Get Lonely”, keys enter the cautious setting of “Hand Of God Pt. 1”, where vivid storytelling runs alongside sublime instrumentation.

Further on, “Find Your Muse” brings us raw folk fun with much intimate beauty, while the quick paced and busy “Die Happy” recruits a punchy spirit for one of the album’s best.

Primarily a listen of slow burning tunes. “Midnight Manifestos” emits a fuller display of warm rhythm and a memorable chorus, though the bare tunes near the end like “Evangelina” and the nearly a cappella “My Anxiety & Me” really illuminate the outfits ability to communicate, inspire and entertain in eloquent ways.

Though the album was recorded studio live, the strong chemistry between the players and skilled musicianship radiate a fluid, full sound as banjos and mandolins help illuminate the gritty yet beautifully textured environment.

Travels well with: Pert Near Sandstone- Out On A Spree; Trampled By Turtles- Wild Animals

Days Like These

Toy Robot, 2019

8/10

Listen to Days Like These

Troy Roberts has been bandleader on 11 albums now, and with Days Like These the jazz sensation is accompanied by Jeff ‘Tain’ Watts on drums, who has already played on 2 albums of Roberts’ already.

“My Girl Is Just Enough Woman For Me’ starts the listen with snappy, playful jazz sounds where saxophones and robust organs from Joey DeFrancesco highlight the setting, and “Why Was i Born” follows with cautious sax and light percussion in a very introspective delivery.

Elsewhere, “The Waltz Of Parting Days” balances restraint and frisky sounds in a soothing display, while “Sly Old Dog” unleashes a busy, dizzying fury of sophisticated interplay at a quick tempo.

Near the end, “Little Man You’ve Had A Busy Day” winds the listen down with organs fills from Emmet Cohen and plenty of adventurous percussion, and “Wizard Of Ozroop” exits the listen with an upbeat romping of timeless and melodic jazz fun.

Roberts is a tenor saxophone wizard here, and his skilled band help make Days Like These an ambitious, balanced and extremely fun listen that, amazingly, was recorded in just one day- further proof of the talent present.

Travels well with: Larry Wolf With Four Cats & A Canary- Mood Swings; Mad Love- ISH

Love Is

Sweet Serenity, 2019

8/10

Listen to Love Is

An acclaimed international jazz vocalist and songwriter, the Detroit native Yvette Norwood-Tiger returns with a dozen tunes that are both jazz standards and well crafted originals, too.

“Equinox” starts the listen with Norwood-Tiger’s beaming vocals across the playful percussion and stylish jazz tune where trumpets punctuate the mood, and “Song For My Father” finds the songstress getting soulful and emotive alongside keys and soothing rhythms.

In the middle, “Long Lost Friends” offers a quick pace of danceable jazz fun, while “Come Sunday” recruits a gospel feeling into the powerful anthem that’s immediately memorable.

Near the end, “Time Is A Wrecking Ball”, a Norwood-Tiger original, has her flawless pipes on full display as keys illuminate the album highlight, and “Agua De Beber” settles into a frisky, snappy jazz number that’s impossible not to enjoy. “That’s All” ends the listen key heavy and elegant, firmly putting an exclamation point on the robust listen.

Norwood-Tiger reworks tunes by John Coltrane, Duke Ellington, and Edith Piaf, among others, that celebrate love and her renditions are delivered with much passion, and even more sincerity and authenticity on this glowing, warm album.

Travels well with: Billie Holiday- Music For Torching; Nancy Wilson- A Touch Of Today

I Am Your Neighbor

Organic, 2019

8/10

Listen to I Am Your Neighbor

This 3rd album from the North Carolina duo of Zoe & Cloyd has the pair getting even more creative as they touch on bluegrass, klezmer and vintage sounds with I Am Your Neighbor.

“Looking Out For You And Me” gets the album off to a warm spirited, bluegrass start with wordplay that surrounds the poisons in all our food, and “Neighbor” follows with gentle balladry as Zoe’s pretty vocals are highlighted under the moody strings.

Further along, “The Past Keeps Getting In The Way” offers a emotive tune with flowing melodies, while “Rising Waters”, one of the album’s best, has the pair harmonizing with timeless beauty.

Near the end, “Build Me Up” recruits a folk spirit alongside some agile solos, and “No Difference” exits the listen impassioned and reflective as the two illustrate dynamic chemistry that few could replicate.

A record of substance both lyrically and musically, the husband and wife outfit deliver a unique formula rooted in Appalachian sounds, and fans of bluegrass, folk and even Eastern European music will find much to enjoy here.

Travels well with: Tellico- Woven Waters; Small Town Therapy- Dreams And Circumstances